The Furniture
Magazine
Tall mahogany medal cabinet with carved and applied decoration and a carved Garter star on the upper door, 1760 to 1761, attributed to William Vile and John Cobb
Photograph: Medal cabinet, 1760–61, attributed to William Vile and John Cobb. The Metropolitan Museum of Art, public domain.
All articles
Craft & Technique9 Oct 2026 · 3 min read

From the archive: 135 drawers for a prince, the medal cabinet attributed to William Vile and John Cobb

Made in 1760 to 1761 for the future George III, this mahogany cabinet held more than 6,000 coins and medals in 135 shallow drawers. Its twin is in the V&A.

Published by The Furniture Magazine

In brief

  • A mahogany medal cabinet of 1760 to 1761, attributed to the royal cabinet makers William Vile and John Cobb.
  • It has 135 shallow drawers made to hold more than 6,000 coins and medals.
  • It was probably commissioned by the future George III for Buckingham House, as one end of a larger piece known as His Majesty's Grand Medal Case.
  • Its matching companion is in the Victoria and Albert Museum, London.

From the archive is an occasional series in The Piece. Each one takes a single commission from a museum collection and asks the questions we put to working makers: who asked for it, what it was made from, and what the bench can still learn from it.

The commission

William Vile, born in Somerset in 1715, and his partner John Cobb were among the leading London cabinet makers of the mid eighteenth century. This cabinet is attributed to them and dated 1760 to 1761. It was probably commissioned by the future George III for Buckingham House, and formed one of two matching end sections of a larger ensemble recorded as His Majesty's Grand Medal Case. The other end section is in the Victoria and Albert Museum.

The collection it held was part of a prince's education: coins and medals of past rulers studied as history and as lessons in government. The carved star of the Order of the Garter on the upper door refers to his election to the order as Prince of Wales in 1750.

Free, every fortnight

Get the next issue in your inbox

Technique, finished work, trade news and live jobs, for the bench and the studio.

Subscribe free

What it is made of

Mahogany, with carved and applied decoration. It stands about 2 metres high, 69 cm wide and 44 cm deep. It was first made to sit on an open stand; Vile later filled in the space between the legs.

What to look at

  • Drawer making at scale: 135 shallow drawers, each made to run smoothly and hold a tray of coins without sagging.
  • Applied carving on flat panels, which lets a workshop carve detail separately and fix it to the carcase.
  • A change made after delivery: the original open stand was filled in later, a reminder that commissions are often altered by the people who made them.

Anyone who has made a run of identical drawers will recognise the discipline here. The carved decoration catches the eye; the drawers are where the hours went.

The Furniture Magazine

Every issue, free in your inbox

Technique, tools and materials, finished work worth studying, trade news and jobs — free to the bench and the studio.

Subscribe Free

Keep Reading

ALL ARTICLES
Mahogany side chair with a fan-shaped splat and red leather seat, about 1772, Thomas Chippendale after a design by Robert Adam

From the archive: the Goldsborough chairs, drawn by Robert Adam and made by Thomas Chippendale

3 min read
Winners of the Independent Hotel Show Awards 2026 on stage at Olympia London, 5 October 2026

The Old Bell Hotel wins Hotel Design of the Year at the Independent Hotel Show Awards 2026

2 min read
Carved staircase with pierced foliate balustrade panels and pinecone finials on the newel posts, about 1677 to 1680, from Cassiobury Park, Hertfordshire

Salford Cathedral's rood and Canons Ashby's sash windows on the BWF Awards 2026 shortlist

2 min read